Ladies and gentlemen, I introduce you to Inmyeonjo (인면조) —Man-faced bird—
The internet can’t decide whether it loves or fears the Pyeongchang Olympics’ human-faced sacred bird
NBC isn’t even streaming the Winter Olympics opening ceremony until
8pm ET tonight, but in the time since the event happened live yesterday in Pyeongchang, Korean netizens have made enough fan art and memes out of the ceremony’s man-faced bird that it’s trending nationally on Twitter, and hitting #1 on Yahoo! Japan trending search results.
“인면조,” or Inmyeonjo, literally translates to “human-faced bird.” The trending tag “인면조 너무” translates to “Inmyeonjo is so,” which is a partial sentence people have completed in different ways, including “Inmyeonjo is so scary,” and “Inmyeonjo is so handsome.” People feel very strongly about this animal one way or another, but are divided on whether it’s terrifying:
Or actually kind of dreamy:
Translation: “The more I look at it, the better-looking it seems.”
Translation: “I love the Inmyeonjo”
So just what is this thing? The Inmyeonjo is a legendary animal that appears in East Asian mythology and Buddhist scripture as a fantastical creature with a human head and a bird’s torso. It dates back to the Goguryeo period of Korean history, even appearing in cave drawings:
Translation: This bird from Pyeongchang Opening ceremony is called Goguryeo Inmyeonjo. They can be found in ancient tombs and several cultural properties from the Goguryeo era, including the famous old tomb in Deokheung-ri. From the left, it’s called Ha-jo, Cheon-ju, and Man-se. The right one is the human-faced bird from a particular ancient tomb, but there is no name for it.
The Inmyeonjo is supposed to appear when there’s peace on earth, connecting the heavens and the earth for a thousand years — which explains why the Olympics would consider it a potent symbol of international union. True to its duty as a supposed symbol of unity, it’s certainly unifying the internet in terror and confusion. (Lee's note: Now, why would a symbol of peace create terror and confusion? If I were to make a symbol for peace, I would make it as easy to comprehend as possible, doesn't matter whether it's derived from a local tradition/belief, a sign of peace should have been more simple and more importantly, doesn't create confusion since TERROR AND CONFUSIONS ARE THE ROOTS OF CHAOS —the exact opposite of peace).
Translation: “I searched Inmyeonjo in Chinese and the related searches are ‘Inmyeonjo scary’ lolol”
Here’s an extreme close-up to haunt/bless your dreams tonight, depending on how you feel about it.
Translation: Anyone want to see the Inmyeonjo look hideous? Lololol
It’s been less than 24 hours since the world has been introduced to Inmyeonjo, and already there’s enough gorgeous and haunting fan art for a parody twitter account posing as the birdto keep track of it all. It promises to protect you and reminds you to love yourself, so I’m guessing its persona is firmly on Team “Handsome Guardian.” (Lee's note: Remember that the Devil is often depicted as a charming, handsome/beautiful persona, I will talk about this more in the following notes).
Additional translation provided by James Park.
So what's the deal, anyway? It's just part of the Korean culture.
.
.
.
Uh, really?
人面鳥 (Human-headed-bird), one of the paintings discovered in the Goguryeo tombs. Doesn't this remind you of Horus' phoenix imagery? This image is also said to be the inspiration for Inmyeonjo character.
Similar stuff as the Babylonian Lamassu, Sumerian Nergal, Greek Siren, Egyptian Ba Bird, etc.
I looked up some articles about Inmyeonjo and here's what I found. I put the original Korean paragraphs so you know which lines I'm referring to since I didn't translate every line:
정확한 유래는 덕흥리 고분의 벽화에 그려진 만세(萬歲)라는, 도교의 상상 속 동물이다. 벽화에는 만세지상(萬歲之象)이라고 쓰여 있으며, 이름에서 알 수 있듯이 장수를 상징하고 인면은 선인(仙人)의 얼굴을 형상화했다. 울음소리 등 일부 가릉빈가와 비슷한 특징이 개회식 해설문에 설명되기도 했으나 직접적인 관련은 미미한 수준이며 딱히 종교적인 색채가 있는 것도 아니라서 유사한 성격의 다른 존재라고 보는 것이 적합하다.
사실 조형 자체가 설정을 감안하면 그 고증에 맞게 잘 만든 것이고, 하나하나 뜯어보면 무서울 것도 없다. 하지만 용에 가까운 모습에 얼굴만 딱 사람인 전체 모양새가 보편적인 무서움을 불러오는 데다 움직임에 통일성이나 안정감없이 이리저리 흔들리는 모습 때문에 기괴함 그 자체를 드러내 엄청난 주목을 받고 있다. 서구권은 애초에 동양 문화 자체를 잘 몰라 아주 크게 신경 쓰지는 않는 모양인데, 동양권에서는 우리가 기존에 알고 있던 것과 익숙하지 않은 존재라는 괴리감에 다른 것들보다도 충공깽이 더 큰 편. 가까이서 본 모습도 기괴한데, 심지어 움직인다. 흥겹게 노는 모습을 연출 하려 했던 모양인데 보면 기괴하다 못해 그냥 무서워서 혼자 확 눈에 띈다.
In fact, considering the setting itself, the modeling of Inmyeonjo itself is well-made to suit the needs of the audience. However, the head figure (that is said to resemble a dragon) is a person with a perfect face, which attracts universal fear, it shakes around without unity or stability. Because of the appearance, it looks bizarre and it catches people's attention. In the Eastern region, there is a sense of distance (unfamiliarity) between "what we already know" and "what we are not familiar with". It is bizarre, even moving. It looks like he (Inmyeonjo) was trying to make a playful look.
초반에는 이름을 모르겠어서 '인면 학(鶴), 유교 드래곤(혹은 선비 드래곤)'으로 잠시 불리기도 했다. 전통 문화하면 보통 유교를 떠올리는 데다가 머리에 쓰고 있는 관모가 유교적으로 보여서인지 이런 이름으로 생긴 듯하다. 그러나 인면조는 위에서 언급했듯이 고구려 고분벽화에서 따온 상상의 동물이기 때문에 유교와는 맞지 않으며, 따라서 유교 드래곤은 적절한 별명이 아니다. 실제로 고구려 자체도 삼국사기, 삼국유사 등의 기록에서 도교를 숭상하는 모습을 보이기도 했다.
The figure was initially thought to be a "Confucian dragon". It makes sense because in traditional culture, people may instantly think that the headwear on Inmyeonjo's head to be related to Confucianism. However, as mentioned above, Inmyeonjo does not correspond to Confucianism because it is an imaginary animal taken from the Goguryeo tomb murals, and thus Confucian dragon is not a proper nickname. In fact, Goguryeo itself has also shown its image of Taoism in the records of 삼국사기 (a historical record of the Three Kingdoms of Korea: Goguryeo, Baekje and Silla) and 삼국유사 (Memorabilia of the Three Kingdoms).
물론 굳이 고증을 댄다면 고구려도 국가차원에서 태학을 설립해 유학을 장려하고 가르치긴 했다. 유교적 입장에서 괴력난신이라 취급을 안 했을 가능성이 높다는 의견이 있는데, 고구려는 고유의 풍속과 전래된 유교,불교,도교 등을 잘 융합해 이용한 국가였으며 훗날 조선의 숭유억불같이 극단적인 숭상과 탄압정책과는 거리가 있다.[2] 도교를 탄압했다면 고분 벽화에 그려질 일도 없었을 것이다. 어쨌거나 인면조의 별명이 유교냐 도교냐인 것이 사회적으로 문제될 건은 아니라서, 유교 드래곤이란 괴상한 명칭은 그냥 정착한 대로 쓰이고 있지만, 엄연히 틀린 표현이다.
If you think it thoroughly though, Goguryeo had established Taehak (also known as Taixue(太學) —the system of the highest education in Han Dynasty and the place where the scriptures of a Confucian was taught.) at the national level. In the Confucian view, there is a strong argument that Goguryeo was not treated/seen as an "aristocratic Buddhist priesthood". Goguryeo was a kingdom that used its own customs, Confucianism, Buddhism, Taoism and so on, and it is far from extreme vilification and repression policy like Joseon (the Kingdom of Great Joseon). If you repressed Taoism, there would not have been tomb murals. Even though Inmyeonjo is said to be related to Taoism and Confucianism, the name "Confucian dragon" is just so wrong, historically speaking.
*The next paragraphs of the article talks about the possibility of Inmyeonjo being related to China's Northeast Project (东北工程) and Goguryeo controversies. I just want to point out that "Inmyeonjo" has no actual root in the Korean culture and has no relation to any traditional religion (or there's just very little connection) in South Korea either.
.
.
.
Now let's take a deeper look
Whether you call him Satan, Lucifer, or Mephistopholes, he’s a beast with even more faces than he has names. Over the past five centuries, artists have variously depicted the devil as a fanged, horned demon; as an armored, Apollo-like army leader; and as a tailor of Nazi uniforms. A new exhibition at Stanford’s Cantor Art Center, Sympathy for the Devil: Satan, Sin and the Underworld, presents 40 works from 500 years of artistic portrayals of history’s most famous fallen angel, along with his minions and his evil realm.
“Obviously, people are more fascinated with evil than with good,” curator Bernard Barryte tells Co.Design. “Just look at the TV shows and movies from the last several seasons–there’s a natural human curiosity about horror.” In the earlier depictions of Satan, hailing from the 1500s and 1600s, this intrigue with horror is projected onto an image of a bestial, inhuman demon. But as the centuries go on, artists start rendering the personification of evil as, well, one of us. How did Satan’s image evolve from that of a goat-like demon to more like your next door neighbor? How do artists decide what the devil looks like?
In later centuries, depictions of Satan in art evolved from a wretched beast to a more human figure. “By the 18th century, he’s ennobled, almost looking like an Apollo,” Barryte says–as seen in Thomas Stothard’s “Satan Summoning His Legions,” from 1790. That was due to the aftermath of the French and American revolutions, which tried to excise the more superstitious elements of religion. “People interpreted the figure less as demonic creature and more as heroic rebel against the oppression of the paternal god,” Barryte says. These renderings were also influenced by John Milton’s Paradise Lost, several editions of which are on view here, which drew Satan as an almost pitiable tragic hero.
In the 19th century, the publication of Goethe’s Mephistopholes in Faustand Mark Twain’s Mysterious Stranger influenced artists to portray Satan as much more of “a sly, cunning, dandyish type of figure,” as Barryte says. “Instead of scaring people into sin and intimidating them, he now uses persuasion.” And he has to look appropriate for the part: more weasely than bestial. In the exhibit, this trickster side of Satan is seen in a bronze statue depicting him as Mephistopholes, by the artist Ude.
Angel Of Light
When he does appear, the Devil appears as an angel of light.
And no marvel; for even Satan fashions himself into an angel of light (2 Corinthians 11:14).
Because Satan is the master deceiver, coming as an angel of light, he appears as a beautiful, tempting, creature - not something ugly or repulsive.
From Time to Wake Up:
This, then, is the end-goal of Illuminism: To destroy earth, debase civilization, end pure spirituality, induce chaos on earth, and bring order according to Satan’s Illuminati script. Earth is to be hell and hell on earth: As Above, So Below.
This is the meaning of the double-headed Eagle; the androgynous joining of man and woman; the mixing of the yin and yang; the checkerboard, black and white floors of the Masonic Lodges; the mirror images of the Rosicrucians; the sulphurous tale of Beauty and the Beast; the witches parable of the lovely lady vs. the crone on her broom; the Druid/Satanic/Catholic alternating of black and white priest vestments; the front and obverse (hidden) sides of the Great Seal of the United States; the reversing of the cross and the reading of the Lord’s Prayer backwards in satanic worship, ad nauseam.
All fields, all things, must be reversed. Negative must be transmuted into positive. Bad will be good. Black shall be white. The ugly shall be adjudged beautiful and the beautiful is to be spoiled, scarred, and made repugnant and revolting. God shall be debased and Satan exalted.
Illuminism, therefore, is a system of dualism (thesis and antithesis) which cyclically repeats as synthesis results. Then, the conflicting forces of the duality cycle clash again, with synthesis being achieved once more. Always the synthesis, the temporary solution or form, is unfrozen, the process of two competing forces reignited, and the cycle is continued.
Now you understand why Inmyeonjo gives off both good and bad vibes at the same time; charming yet also scares the sh*t out of you, right?
Also, let's not forget how the government of South Korea welcomes the international visitors of Pyeongchang Winter Olympics 2018:
The new Terminal 2 Incheon Airport