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This 2023 Berlin Fashion Show Was All About Mocking Christianity in the Trashiest Way Possible
During the 2023 Berlin Fashion Week, the brand Namilia presented its collection titled “In Loving Memory of My Sugar Daddy”. It was a trashy, blasphemous mess with all kinds of messages that can only be described as degenerate. Here’s how this so-called “rebellious” fashion show is, in fact, perfectly in line with the elite’s sick agenda.
Warning: This article contains pictures that are not safe for work.
Namilia is a fashion brand based in Berlin, Germany. Described as “rebellious” and “unapologetic”, Namilia attracted some attention with its “dickinis” and “vulva sleeves”, two pieces of garments that look as stupid as they sound. Through provocative creations, the founders of the brand Nan Li and Emilia Pfohl say they use fashion to “proclaim their beliefs”.
In short, everything about Namilia is in perfect accordance with the agendas of the occult elite. They want us to be faithless, dehumanized, self-hating whores. Probably for this reason, the brand has been experiencing a meteoric rise to success since its inception in 2015. In only a few years, Namilia is featured in major fashion shows, is praised by major outlets such as Vogue magazine and is worn by high-profile celebrities such as Rihanna and Cardi B.
“Influencers” wearing Namilia at the Barbie premier. Most people in the comments found that they did not belong there. But Namilia and Barbie are all part of the same globalist agenda so, in actuality, they do belong there.
While past Namilia creations were certainly provocative, the Spring 2024 fashion show took things to another level by mocking Christianity in the trashiest way possible.
In Loving Memory of My Sugar Daddy
On the third night of Berlin Fashion Week, the Namilia fashion show created a buzz with its new collection titled In Loving Memory of My Sugar Daddy.
The name refers to young women exchanging a sexual relationship with old men for money … until they die. Because, most likely, they were so old. It’s not technically prostitution but it’s in the same realm. That’s the type of “feminism” championed by Namilia.
But that’s not even the real issue. This whole sexual context is mixed with references to Christianity. Is Jesus the “sugar daddy”?
Let’s just look at this mess.
The top says “You can’t enter heaven unless Jesus enters you”. There’s most likely a sick, blasphemous sexual innuendo in there.
This is the back of the outfit above. There’s a crucifix on her butt crack. Sexual innuendo confirmed.
Do they truly love Jesus? Or are they mocking him with the revealing bottom half of the outfit?
The top says “Jesus cums first”. Not “comes first” – the other spelling which refers to ejaculation. That’s the type of filth we’re dealing with here.
The shirt says VIP. Underneath is written “Very Important P*ssy”. Now that’s classy.
Speaking of classy, here’s this outfit. On the top are printed two crucifixes used to hide nipples. There are also the letters “VIP” which, as seen above, do not stand for “Very Important Person”. Finally, demonic nails and a g-string complete this wonderful outfit that can be worn at work or at the gym.
The combination of Christian imagery with highly sexualized bondage accessories is a recurring theme in this fashion show. It’s also Satanic.
Crucifix with BDSM-style spikes. It’s all about blasphemy.
While Namilia is said to be “feminist”, the words printed on their garments are not exactly uplifting. In fact, they are degrading and reek of self-loathing.
Her shirt says “Boner Garage”. That’s rather forward. Why not just put the word “slut” on a top while we’re at it?
They’ve put “slut” on a top.
“Schwein” means “pig” in German. What is it with “feminists” comparing themselves to pigs? This is reminiscent of Demi Lovato’s recent song Swine, where she also compares herself to … swine.
The model looks embarrassed walking around in this outfit. I mean, she’s wearing a deformed crucifix with the words “Cunting Season” on her privates.
There’s a bunch of crucifixes on the top while the bottom says “Trash”.
If you’re like me, the word “degenerate” is probably reverberating in your mind right now. Also, you’ve probably had enough of this. However, I must point out another aspect of this show that is 100% on par with the elite’s twisted agenda: Every single male model in the show was dressed in women’s clothes. In slutty women’s clothes.
Bro, what are you doing with your life?
If there’s one thing the elite hates more than Christianity it’s masculinity.
In Conclusion
While the fashion brand Namilia is said to be “rebellious”, there is actually nothing rebellious about it. Quite the contrary, the fashion show seen above follows in the strictest ways possible the oppressive dogma of the occult elite it is forcefully imposing on the world. It is the global culture they want us all to embrace and, magazines such as Vogue are used to hail these creations as works of art.
However, as stated by the creators of the brand themselves, fashion is merely another tool for propaganda. Through clothing, they are celebrating their true religion: Satanism. Furthermore, they’re on a mission to dehumanize women, feminize men and glorify all that is sick, twisted, degrading, and unnatural.
On a wider scale, it is about creating a generation that hates itself and that has absolutely no self-respect or self-esteem. By printing words such as “slut” and “schwein” (pig) on its shirts, Namilia is not being cool or edgy, it is simply reflecting how the elite perceives the masses. Not only that, they want people to actually believe that’s what they are.
With that being said, there’s another word found on Namilia clothing that actually perfectly defines it: Trash.
DIABLO FASHION LINE
BlizzardBlizzard Entertainment and Danish fashion house Han Kjøbenhavn unveiled a surprising new collaboration on Saturday at Milan Fashion Week: a Diablo-inspired, high-end, ready-to-wear collection for 2023 that will be available for purchase this summer.
Han Kjøbenhavn’s fall/winter “Chthonic Penumbra” womenswear collection goes far beyond the T-shirts and hoodies one typically associates with gaming-inspired fashion. The line comprises striking fashion pieces composed of faux fur, vegan leather, and feathers, in gray and black hues, vibrant, blood-red fabrics, and complemented with pearls and chrome accents. Han Kjøbenhavn described the new collection as inspired by the phrase “hell as a beautiful place.”
Ahead of Saturday’s runway show at Milan Fashion Week, Polygon spoke to Han Kjøbenhav creative director Jannik Wikkelsø Davidsen and CEO Daniel Søndergaard Hummel about the brand’s collaboration with Diablo and Blizzard.
Han Kjøbenhavn’s Diablo-inspired womenswear collection is not the brand’s typical collaboration. It’s worked with other labels over the past decade, including athletic brand Puma and textile maker Pendleton Woolen Mills, but Davidsen says that it’s been less interested in those kinds of partnerships in recent years — and that Diablo and Han Kjøbenhavn share a certain “emotional DNA.”
“Normally a fashion brand would do sneaker collabs and such, but... we have not done too many collabs [like that] because it just seemed almost too saturated,” Davidsen said. “We wanted to look at new possibilities, with new partners, where it’s more about the emotional DNA and the connection between brands than a product. Talking to the [Blizzard], the match between us and Diablo has been really, really good, because my and Dan’s aesthetic, creatively, is not clean and sweet. The darker side [is more] our aesthetic more than a classic fashion brand.”
Davidsen said that Han Kjøbenhavn aimed to avoid doing a direct translation of what appears in-game in Diablo 4 — and to steer clear, creatively, of what he called “gimmicks.”
“The core idea has been talking to the Diablo team and translating emotions to make sure that what we’re creating isn’t a one-to-one translation of a skin — that becomes too gimmicky, right?” he said. “We’re trying to translate emotion into something that can exist within our world. Because we both share a lot of creative DNA in our visions, it’s actually been a pleasant journey.”
Hummel said he sees “common ground, common aesthetic, and common emotions in the audience that overlaps a lot,” with Han Kjøbenhavn, “especially when you have an aesthetic like ours and the world of Diablo.” Looking at Han Kjøbenhavn’s recent runway and prêt-à-porter lines make it clear why the game franchise is a good fit, creatively; the Copenhagen-based fashion house leans into dark, disturbing imagery, with an emphasis on black leather, imposing silhouettes, and, yes, even the occasional gimmick — like a leather dress with a built-in choker that takes the term quite literally.
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Photo: Getty Images
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Photo: Estrop/Getty Images
Davidsen said that he was creatively inspired by the “big, beautiful evil Renaissance” style of Diablo 4’s art direction, as well as its “dark and dystopian” atmosphere. But that conveying the “journey” of a player’s adventure through Diablo’s world of sanctuary was equally as important as the game’s dark tones.
“It’s about being on a long journey, which I translate visually sometimes in terms of materials,” he explained. “How does the material react when walking or interacting? Of course, ‘conflict’ is also a big thing for me, something I share with the Diablo universe. The darkness is obvious, but so it conflict — but journey carries a lot of visual emotion for me.”
Those materials, Davidsen said, include leather, rubber, and other skin-tight materials inspired by Diablo’s Lilith, but also fabrics inspired by the journey, like mesh that conveys the sense of the game’s ghostly spirits. Hummel likened the line as “dragging [Diablo] into the physical world” through fashion.
Han Kjøbenhavn isn’t just runway fashion, though that’s where the decadent showcase of creative emotion is conveyed, in clothing and sound and visual effects. The label, which was founded in 2008 as an eyewear brand, now sells casual, ready-to-wears pieces, including trousers, T-shirts, sweats, and outerwear, and Davidsen is well aware of the Diablo fan bases desires and expectations.
:no_upscale()/cdn.vox-cdn.com/uploads/chorus_asset/file/24462639/GettyImages_1469542051.jpg)
Photo: Estrop/Getty Images
“There’s a reason why we start with the runway show,” Hummel said. “It’s important for us to start with the core emotion and then build that out into more ready-to-wear pieces.”
“When we do the runway, we know it’s a set format: It’s extravagant, big emotions,” Davidsen said. “The first assignment for us is to get emotion out, be extravagant in some of the lines. For the audience, we’re obviously thinking about daily, ready-to-wear pieces —hopefully we have a good idea of the gamers, and the audience, and [will] create something special for them.
“They’re very specific in what they believe Diablo should be,” Davidsen added. “We have a tough audience, and Diablo does too. That audience wants Diablo 4 to deliver on what they expect of Diablo, and that’s something I’m really aware of. I read the comments sections.”
This 2023 Berlin Fashion Show Was All About Mocking Christianity in the Trashiest Way Possible
During the 2023 Berlin Fashion Week, the brand Namilia presented its collection titled “In Loving Memory of My Sugar Daddy”. It was a trashy, blasphemous mess with all kinds of messages that can only be described as degenerate. Here’s how this so-called “rebellious” fashion show is, in fact, perfectly in line with the elite’s sick agenda.
Warning: This article contains pictures that are not safe for work.
Namilia is a fashion brand based in Berlin, Germany. Described as “rebellious” and “unapologetic”, Namilia attracted some attention with its “dickinis” and “vulva sleeves”, two pieces of garments that look as stupid as they sound. Through provocative creations, the founders of the brand Nan Li and Emilia Pfohl say they use fashion to “proclaim their beliefs”.
As we’ll soon see, their “beliefs” apparently revolve around mocking Christianity – which happens to be a staple of Satanism. However, like all Satanists, they will never admit that they are Satanists to the general public. Instead, they explain all of their work with buzzwords such as “feminism”. However, as we’ll see, Namilia’s brand of feminism is actually degrading, highly toxic, and bent on erasing masculinity.
In short, everything about Namilia is in perfect accordance with the agendas of the occult elite. They want us to be faithless, dehumanized, self-hating whores. Probably for this reason, the brand has been experiencing a meteoric rise to success since its inception in 2015. In only a few years, Namilia is featured in major fashion shows, is praised by major outlets such as Vogue magazine and is worn by high-profile celebrities such as Rihanna and Cardi B.
“Influencers” wearing Namilia at the Barbie premier. Most people in the comments found that they did not belong there. But Namilia and Barbie are all part of the same globalist agenda so, in actuality, they do belong there.
While past Namilia creations were certainly provocative, the Spring 2024 fashion show took things to another level by mocking Christianity in the trashiest way possible.
In Loving Memory of My Sugar Daddy
On the third night of Berlin Fashion Week, the Namilia fashion show created a buzz with its new collection titled In Loving Memory of My Sugar Daddy.
The name refers to young women exchanging a sexual relationship with old men for money … until they die. Because, most likely, they were so old. It’s not technically prostitution but it’s in the same realm. That’s the type of “feminism” championed by Namilia.
But that’s not even the real issue. This whole sexual context is mixed with references to Christianity. Is Jesus the “sugar daddy”?
Let’s just look at this mess.
The top says “You can’t enter heaven unless Jesus enters you”. There’s most likely a sick, blasphemous sexual innuendo in there.
This is the back of the outfit above. There’s a crucifix on her butt crack. Sexual innuendo confirmed.
Do they truly love Jesus? Or are they mocking him with the revealing bottom half of the outfit?
The top says “Jesus cums first”. Not “comes first” – the other spelling which refers to ejaculation. That’s the type of filth we’re dealing with here.
The shirt says VIP. Underneath is written “Very Important P*ssy”. Now that’s classy.
Speaking of classy, here’s this outfit. On the top are printed two crucifixes used to hide nipples. There are also the letters “VIP” which, as seen above, do not stand for “Very Important Person”. Finally, demonic nails and a g-string complete this wonderful outfit that can be worn at work or at the gym.
The combination of Christian imagery with highly sexualized bondage accessories is a recurring theme in this fashion show. It’s also Satanic.
Crucifix with BDSM-style spikes. It’s all about blasphemy.
While Namilia is said to be “feminist”, the words printed on their garments are not exactly uplifting. In fact, they are degrading and reek of self-loathing.
Her shirt says “Boner Garage”. That’s rather forward. Why not just put the word “slut” on a top while we’re at it?
They’ve put “slut” on a top.
“Schwein” means “pig” in German. What is it with “feminists” comparing themselves to pigs? This is reminiscent of Demi Lovato’s recent song Swine, where she also compares herself to … swine.
The model looks embarrassed walking around in this outfit. I mean, she’s wearing a deformed crucifix with the words “Cunting Season” on her privates.
There’s a bunch of crucifixes on the top while the bottom says “Trash”.
If you’re like me, the word “degenerate” is probably reverberating in your mind right now. Also, you’ve probably had enough of this. However, I must point out another aspect of this show that is 100% on par with the elite’s twisted agenda: Every single male model in the show was dressed in women’s clothes. In slutty women’s clothes.
Bro, what are you doing with your life?
If there’s one thing the elite hates more than Christianity it’s masculinity.
In Conclusion
While the fashion brand Namilia is said to be “rebellious”, there is actually nothing rebellious about it. Quite the contrary, the fashion show seen above follows in the strictest ways possible the oppressive dogma of the occult elite it is forcefully imposing on the world. It is the global culture they want us all to embrace and, magazines such as Vogue are used to hail these creations as works of art.
However, as stated by the creators of the brand themselves, fashion is merely another tool for propaganda. Through clothing, they are celebrating their true religion: Satanism. Furthermore, they’re on a mission to dehumanize women, feminize men and glorify all that is sick, twisted, degrading, and unnatural.
On a wider scale, it is about creating a generation that hates itself and that has absolutely no self-respect or self-esteem. By printing words such as “slut” and “schwein” (pig) on its shirts, Namilia is not being cool or edgy, it is simply reflecting how the elite perceives the masses. Not only that, they want people to actually believe that’s what they are.
With that being said, there’s another word found on Namilia clothing that actually perfectly defines it: Trash.
DIABLO FASHION LINE
BlizzardBlizzard Entertainment and Danish fashion house Han Kjøbenhavn unveiled a surprising new collaboration on Saturday at Milan Fashion Week: a Diablo-inspired, high-end, ready-to-wear collection for 2023 that will be available for purchase this summer.
Han Kjøbenhavn’s fall/winter “Chthonic Penumbra” womenswear collection goes far beyond the T-shirts and hoodies one typically associates with gaming-inspired fashion. The line comprises striking fashion pieces composed of faux fur, vegan leather, and feathers, in gray and black hues, vibrant, blood-red fabrics, and complemented with pearls and chrome accents. Han Kjøbenhavn described the new collection as inspired by the phrase “hell as a beautiful place.”
Ahead of Saturday’s runway show at Milan Fashion Week, Polygon spoke to Han Kjøbenhav creative director Jannik Wikkelsø Davidsen and CEO Daniel Søndergaard Hummel about the brand’s collaboration with Diablo and Blizzard.
Han Kjøbenhavn’s Diablo-inspired womenswear collection is not the brand’s typical collaboration. It’s worked with other labels over the past decade, including athletic brand Puma and textile maker Pendleton Woolen Mills, but Davidsen says that it’s been less interested in those kinds of partnerships in recent years — and that Diablo and Han Kjøbenhavn share a certain “emotional DNA.”
“Normally a fashion brand would do sneaker collabs and such, but... we have not done too many collabs [like that] because it just seemed almost too saturated,” Davidsen said. “We wanted to look at new possibilities, with new partners, where it’s more about the emotional DNA and the connection between brands than a product. Talking to the [Blizzard], the match between us and Diablo has been really, really good, because my and Dan’s aesthetic, creatively, is not clean and sweet. The darker side [is more] our aesthetic more than a classic fashion brand.”
Davidsen said that Han Kjøbenhavn aimed to avoid doing a direct translation of what appears in-game in Diablo 4 — and to steer clear, creatively, of what he called “gimmicks.”
“The core idea has been talking to the Diablo team and translating emotions to make sure that what we’re creating isn’t a one-to-one translation of a skin — that becomes too gimmicky, right?” he said. “We’re trying to translate emotion into something that can exist within our world. Because we both share a lot of creative DNA in our visions, it’s actually been a pleasant journey.”
Hummel said he sees “common ground, common aesthetic, and common emotions in the audience that overlaps a lot,” with Han Kjøbenhavn, “especially when you have an aesthetic like ours and the world of Diablo.” Looking at Han Kjøbenhavn’s recent runway and prêt-à-porter lines make it clear why the game franchise is a good fit, creatively; the Copenhagen-based fashion house leans into dark, disturbing imagery, with an emphasis on black leather, imposing silhouettes, and, yes, even the occasional gimmick — like a leather dress with a built-in choker that takes the term quite literally.
Davidsen said that he was creatively inspired by the “big, beautiful evil Renaissance” style of Diablo 4’s art direction, as well as its “dark and dystopian” atmosphere. But that conveying the “journey” of a player’s adventure through Diablo’s world of sanctuary was equally as important as the game’s dark tones.
“It’s about being on a long journey, which I translate visually sometimes in terms of materials,” he explained. “How does the material react when walking or interacting? Of course, ‘conflict’ is also a big thing for me, something I share with the Diablo universe. The darkness is obvious, but so it conflict — but journey carries a lot of visual emotion for me.”
Those materials, Davidsen said, include leather, rubber, and other skin-tight materials inspired by Diablo’s Lilith, but also fabrics inspired by the journey, like mesh that conveys the sense of the game’s ghostly spirits. Hummel likened the line as “dragging [Diablo] into the physical world” through fashion.
Han Kjøbenhavn isn’t just runway fashion, though that’s where the decadent showcase of creative emotion is conveyed, in clothing and sound and visual effects. The label, which was founded in 2008 as an eyewear brand, now sells casual, ready-to-wears pieces, including trousers, T-shirts, sweats, and outerwear, and Davidsen is well aware of the Diablo fan bases desires and expectations.
“There’s a reason why we start with the runway show,” Hummel said. “It’s important for us to start with the core emotion and then build that out into more ready-to-wear pieces.”
“When we do the runway, we know it’s a set format: It’s extravagant, big emotions,” Davidsen said. “The first assignment for us is to get emotion out, be extravagant in some of the lines. For the audience, we’re obviously thinking about daily, ready-to-wear pieces —hopefully we have a good idea of the gamers, and the audience, and [will] create something special for them.
“They’re very specific in what they believe Diablo should be,” Davidsen added. “We have a tough audience, and Diablo does too. That audience wants Diablo 4 to deliver on what they expect of Diablo, and that’s something I’m really aware of. I read the comments sections.”
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